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Not-for-profit arts organizations struggled to survive the recent economic recession. In this increasingly hardscrabble environment, it is absolutely imperative that the boards of these organizations function as energetically, creatively, and efficiently as possible. Michael M. Kaiser’s personal history with boards of arts organizations began when he served on the board of the Washington Opera (now the Washington National Opera) in 1983. Today, in his capacity as president of the John F. Kennedy Center for the Performing Arts, Kaiser recently completed a 50-state, 69-city Arts in Crisis tour. Board issues came up repeatedly as central to the success or failure of the organization. Drawing on these and many other conversations, nationally and internationally, Kaiser’s book offers members of boards and staffs the information they need to create the healthy atmosphere necessary to thriving arts organizations. Organized in a clear, readable, question-and-answer format, Leading Roles covers every aspect of board participation in the life of the organization, including mission and governance; fundraising and marketing responsibilities; the relationship of the board to the artistic director, executive director, and staff; and its responsibilities for planning and budgeting. Kaiser addresses boards in crisis, international boards, and boards of arts organizations of color. Throughout, he emphasizes the importance of transparency and clarity in the board’s dealings with its own members and those of the arts community of which it is a part, showing how anything less results in contentiousness that can immobilize an arts organization, or even tear it apart.

• Sales Rank: #378204 in Books
• Published on: 2010-10-12
• Original language: English
• Number of items: 1
• Dimensions: 9.16" h x .72" w x 6.40" l, .91 pounds
• Binding: Hardcover
• 192 pages

Review
"Leading Roles is a rich yet tidy cornucopia of solutions for the challenges facing the American arts scene . . . The author is compelling as he scopes the horizon, sizing up a future in which global cooperation will loom large for the arts."—Washington Post

“The musicians of ICSOM must continue to be our own positive advocates in a managerial climate that is resistant to a positive message. Mr. Kaiser's new book is a powerful tool that can assist us in articulating our vision.”—Senza Sordino, International Conference of Symphony and Opera Musicians newsletter

“After years of distinguished volunteer board service in many arts associations, and a 50-state, 69-city ‘Arts in Crisis’ tour, meeting with many other arts organizations, Michael Kaiser has committed his considerable wisdom and experience to paper, and written Leading Roles: 50 Questions Every Arts Board Should Ask. Although aimed at associations in the arts - dance, opera, theatre - the book Kaiser has written should be must-reading for every board member and staff executive of every association. Leading Roles addresses every aspect of board participation in the life of an association, including mission and governance; fundraising and marketing; the relationship of the board to the artistic director, executive director, and staff; and board responsibilities for planning and budgeting.”—The Examiner, Washington, DC

Review
“Michael Kaiser is very competent and far-sighted in dealing with the extremely complicated economic and organizational aspects of performing arts institutions, especially in this period of grave crises. In my capacity as General Director of Washington National Opera, which makes its home at the Kennedy Center, I have worked with Michael, the Center’s President, and I share his approach to running not-for-profit arts organizations. I recommend his book to anyone who works in this area.” (Plácido Domingo)

“Michael Kaiser has made it his mission to help arts organizations around the world succeed. He is an ambassador and trusted authority for arts administrators everywhere, generously sharing his proven expertise that I’ve seen firsthand. Michael’s book will take his life’s work one step further, elevating the world of arts management with his wisdom.” (Judith Jamison, Artistic Director, Alvin Ailey American Dance Theater)

“No one knows more about arts administration than Michael Kaiser. No wonder people the world over clamor for his attention and keen advice. The Kennedy Center’s not-so-secret weapon is an international treasure. The book is a goldmine.” (Terrence McNally, playwright)

About the Author
MICHAEL M. KAISER is the author of The Art of the Turnaround: Creating and Maintaining Healthy Arts Organizations. He is a graduate of Brandeis University, class of 1975.

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0 of 0 people found the following review helpful.
Michael M. Kaiser, the guru for ailing Arts Organizations
By Bill Barksdale
I am a great fan of Michael M. Kaiser. When I started a nonprofit arts corporation, I gave a copy of this book to every prospective Board member so we could have a common starting place. I highly recommend the first book by Mr Kaiser that I read as I tried to aid an ailing community theater, The Art of The Turnaround - Creating and Maintaining Healthy Arts Organizations (a 5 star book). It's a great place to begin as one starts down the path of nonprofit, especially in the arts. He follows up with other books including The Cycle - A practical Approach To Managing Arts Organizations.

Mr Kaiser has taken such organizations the Alvin Aily Dance Theater, American Ballet Theater and the Royal Opera House in London from the brink of extinction, to thriving success. He just ended his tenure as Executive Director of the Kennedy Center in Washington D.C. He continues to help ailing arts organizations and his knowledge and easy to understand practicality is invaluable to all nonprofits and arts organizations. I hope that other's working with such organizations will discover Michael M. Kaiser's work, and look at his interviews on YouTube. One could make a career out of the path that he has lead the way on.

1 of 1 people found the following review helpful.
A Valuable Work for Theatre Management
By Joseph D. Millett
Kaiser has a tremendous amount of both knowledge and experience, and his writing style is so concise and accurate that he conveys a huge amount of information in a way that makes even the most complex concepts easy to understand. It should be required reading in any university arts management program.

4 of 5 people found the following review helpful.
A Table of Contents would make this 5 stars
By helpful singer
I've read Michael Kaiser's writings and seen videos of his presentations, and he presents a thoughtful and extremely helpful perspective for arts organizations. I was really disappointed that the Kindle version of this book has no Table of Contents. Basically you have to either wade through the book to find what you want, or go back on Amazon and look at the TOC that is shown with the hard copy of the book.

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• Sales Rank: #11392399 in Books
• Published on: 1900
• Binding: Paperback

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[D583.Ebook] Download This Incredible Need to Believe (European Perspectives: A Series in Social Thought and Cultural Criticism), by Julia Kristeva

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"Unlike Freud, I do not claim that religion is just an illusion and a source of neurosis. The time has come to recognize, without being afraid of 'frightening' either the faithful or the agnostics, that the history of Christianity prepared the world for humanism."

So writes Julia Kristeva in this provocative work, which skillfully upends our entrenched ideas about religion, belief, and the thought and work of a renowned psychoanalyst and critic. With dialogue and essay, Kristeva analyzes our "incredible need to believe"--the inexorable push toward faith that, for Kristeva, lies at the heart of the psyche and the history of society. Examining the lives, theories, and convictions of Saint Teresa of Avila, Sigmund Freud, Donald Winnicott, Hannah Arendt, and other individuals, she investigates the intersection between the desire for God and the shadowy zone in which belief resides.

Kristeva suggests that human beings are formed by their need to believe, beginning with our first attempts at speech and following through to our adolescent search for identity and meaning. Kristeva then applies her insight to contemporary religious clashes and the plight of immigrant populations, especially those of Islamic origin. Even if we no longer have faith in God, Kristeva argues, we must believe in human destiny and creative possibility. Reclaiming Christianity's openness to self-questioning and the search for knowledge, Kristeva urges a "new kind of politics," one that restores the integrity of the human community.

• Sales Rank: #2039858 in Books
• Published on: 2009-10-19
• Original language: English
• Number of items: 1
• Dimensions: 8.30" h x .70" w x 5.60" l, .70 pounds
• Binding: Hardcover
• 136 pages

From Publishers Weekly
Kristeva (Powers of Horror) delivers a focused and insightful discussion of religious belief. With material culled from various interviews, articles and lectures, the book is less a unified argument than a sprawling analysis of religion in major psychological and philosophical literature (e.g., Freud, Arendt, Winnicot), fiction (e.g., Proust) and in private life (Kristeva makes wonderful use of Saint Teresa of Avila's writings) underscored by her claim that sharable knowledge of the inner religious experience is possible and could develop into an important field of discourse. Kristeva provides neither an attack on nor a support of religious belief; her interest is in drawing other disciplines into the discussion. She uses psychoanalytic techniques to comprehend religious experience, the clash of religions, notions of genius, theories of suffering and sexuality and the debt modern humanism owes to Christianity's emphasis on self-questioning. Compelling and remarkable for its staunch unwillingness to take sides, this book sets forth Kristeva's most sustained treatment of religion in a format that will interest both scholars and anyone looking for an accessible introduction to her methods and preoccupations. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

Nowhere else does Julia Kristeva provide such a sustained treatment of her views on religion. Kristeva scholars and students will find this book an indispensable text.

(Noelle McAfee, George Mason University)

A focused and insightful discussion of religious belief... compelling and remarkable.

(Publishers Weekly)

In this book, Julia Kristeva analyzes various pressing issues of our time, including the crisis in the Middle East, terrorism, depression, anorexia, and addiction, along with a general crisis of meaning. With her customary brilliance, she argues that belief and faith make it possible to speak but also to question. Provocatively, she describes a vein of Christianity and Catholicism that open up rather than close down that infinite questioning, which she maintains is necessary to delay the death drive. Here, Kristeva uses her incisive psychoanalytic acumen to diagnose the 'culture wars' and the 'clash of religions' that threaten world peace.

(Kelly Oliver, Vanderbilt University, and editor of The Portable Kristeva)

A helpful commentary and introduction to Kristeva's major work over the last two decades... recommended.

(Choice)

Readers... will be exposed to an impressive... crystallization of [Kristeva's] religious and psychoanalytic thought.

(Elaine P. Zicker Bryn Mawr Review of Comparative Literature)

About the Author

Julia Kristeva is professor of linguistics at the Université de Paris VII and the author of many acclaimed works and novels, including Murder in Byzantium, Strangers to Ourselves, New Maladies of the Soul, Time and Sense, Hannah Arendt, and Melanie Klein. She is the recipient of the Hannah Arendt Prize for Political Thought and the Holberg International Memorial Prize.

Beverley Bie Brahic is a translator and poet living in Paris and Stanford, California. In addition to the writing of Kristeva, she has translated the works of Hélène Cixous, Jacques Derrida, and Francis Ponge.

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18 of 18 people found the following review helpful.
Psychoanalysis and Religion
By Robert C. Hamilton
Although this recent work by the prolific Julia Kristeva is brief and composed of a mosaic of interviews, letters, and occasional writing, it is no less rich as a result. The main attraction here, comprising more than half the work, is the eponymous interview in which Kristeva answers questions concerning religion, transcendence, psychoanalysis, fundamentalism, the feminist movement ... and the list goes on. It is impressive how much ground is covered in such a slender volume. The trade-off, of course, is that no single idea is exhaustively developed, and plenty of the work of interpretation is left (deliberately, I think) to the reader.

Perhaps surprisingly, the book remains close to the thoroughly atheist work of Sigmund Freud, with particular attention paid to late works like Moses and Monotheism. But Kristeva is not, by any stretch of imagination, attempting to cherry-pick from Freud's work to force it into friendlier relations with religion. Instead, remaining close to Freud's work and constantly re-affirming his atheism (and, presumably, her own - she denies being "a believer" several times), she argues that religion is better understood as "sublimation" than as delusion or neurosis. Kristeva has done a good deal of work on St. Theresa of Avila of late, including a chapter on her in her recent book Hatred and Forgiveness and writing a novel about her (as yet unpublished in English, so far as I know), and it shows in this work: Kristeva points out the extremely close manner in which Catholic mysticism and psychoanalysis allow the ego access to the id, and via this connection, suggests that psychoanalysis may itself be the proper heir of religion, its most worked-out and sophisticated form. She puts an extremely high priority on the individual via the concept of "genius," the sense of being accompanied by a god or (more realistically) of exceeding oneself, of a blurring between the ego and the world outside. Individual genius, for Kristeva, must inform our political arena, or it will inevitably degenerate into sterile empirical modernism or rage-suffused fundamentalism and religious war.

Another significant preoccupation of the book is suffering, worked out both in the central interview and in the "Lenten Lecutre" delivered at Notre Dame cathedral. Again, Kristeva teases out the similarities and differences between psychoanalytic and mystical-religious attitudes toward suffering. Both find ways to recontextualize suffering, to "forget" its oedipal roots in desire for / desire to murder the father. This is important work for Kristeva, as she considers happiness "only a kind of mourning for suffering."

Finally, two occasional pieces on John Paul II and the Roman Catholic church round out the collection; Kristeva sees John Paul as an admirable exponent of the "genius" of Catholicism, despite his regressive politics. She admires him in light of his expression of Catholic uniqueness and also his mature attitude toward, and endurance of, suffering.

Kristeva writes in a distinctive, almost poetic style that cannot reflect actual, spontaneous interview answers; clearly the work has been edited carefully (this actually helps make the collection feel more cohesive). The style is not especially difficult by the terms of French poststructuralism, but it cannot be absorbed as quickly or as casually as its length might suggest. If your acquaintance with Freud and Lacan is as introductory as mine, you might want to remind yourself of the nuances of a few terms (e.g. transference, counter-transference, sublimation, "le nom du père," père-version) before embarking; I found this extremely helpful. The translation was readable throughout, and provides adequate reference to the original French in brackets; that said, the translation grew extremely idiosyncratic when rendering proper names, leaving us with cacophonous franglais like "Saint Jean of the Cross," "Pope Jean Paul II," "Le Chanson of Roland," and "The Virgin Marie." Not having access to the French text, I am unsure if this confusion extends to the remainder of the text; however, it seems less an issue of translation per se than of editing.

Overall, I recommend this text to students of, or individuals interested in, the confluence of religion and psychoanalysis, religion and literature (Kristeva has high praise for the religious insights of literature, especially the work of Modernists like Joyce and Proust) or religion and philosophy. More than an encyclopedic theory of these confluences, it functions as an intervention that sheds light on canonical work and will, we can hope, provoke new work in the same direction.

0 of 2 people found the following review helpful.
Name a society founded on crime and become the class clown
By epic phlegm Hooha
This is not a way to forget your troubles. One of the new words for me in this book was dolorism. Try to think of religion as a social form of dolorimetry. Compared to psychoanalysis, American medical practice has become a steamroller blues of painkillers. Julia Kristeva has an intellectual link to M. M. Bakhtin, who was sent into exile after his book on Dostoevsky was ready for publication in 1929 because Bakhtin belonged to a discussion group concerned with the philosophy of religion that did not limit itself to Russian Orthodoxy. Most of the philosophers in Russia who thought deeply about religion were outboated under Lenin and Stalin was following up with surges of purges that kept expanding. Kristeva was an exile to Paris at the age of 24. Because Bakhtin had health problems, his exile was in an area near the Black Sea where Kristeva could read Bakhtin in the Russian language she learned as a child before she knew French and the social linguistics of European cultures.

Sometimes it is difficult to believe that Bakhtin wrote a book on Marxism and the Philosophy of Language. A class clown might be more interesting than anyone who could be published openly in the Soviet Union, but Bakhtin had a respectable friend V* who could get a publisher and converse with Bakhtin about whatever V* thought should be in the book. Having Bakhtin prepare the manuscript with so many strings to strangle the theory of politics like National Lampoon producing a movie called Animal House in America was a rogue stunt like our planetary era of poverty face to face with extravagant accumulations of thermonuclear weapons and wealth being shaken by fracking.

Lent is a season forever doubled by anguish, as I think page 92 follows examples of foppish religion in the suffering of enslavement dropping back to punt or dropkick, take your pick. On page 84, rationalism was a dead end. Suffering is an opportunity for hiatus. Kristeva does not like religion in which suffering erupts in the persecution of heretics and bloody religious wars. (p. 82). If you want global explosions of the death drive, think about Bakhtin recapitulating auscultation of speech genres.

0 of 12 people found the following review helpful.
Two Stars
By Robert Johnson
could have been better written

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In a world with so many religions - why Jesus? In his most important work to date, apologetics scholar and popular speaker Ravi Zacharias shows how the blueprint for life and death itself is found in a true understanding of Jesus. With a simple yet penetrating style, Zacharias uses rich illustrations to celebrate the power of Jesus Christ to transform lives. Jesus Among Other Gods contrasts the truth of Jesus with founders of Islam, Hinduism, and Buddhism, strengthening believers and compelling them to share their faith with our post-modern world. Taken from the book of John.

• Sales Rank: #2153505 in Books
• Published on: 2001-08-14
• Original language: English
• Number of items: 1
• Dimensions: .24" h x 8.51" w x 11.05" l,
• Binding: Paperback

About the Author
Ravi Zacharias is president of Ravi Zacharias International Ministries. Born in India and Cambridge educated, he has lectured in several of the world's most prominent universities, as well as in more than fifty countries. He is author of several books, including Can Man Live Without God, Cries of the Heart and Deliver Us From Evil. He and his wife, Margie, are the parents of three children.

Most helpful customer reviews

19 of 26 people found the following review helpful.
Changed my life...
By S. Walker
This book is outstanding! I have struggled with religion and Christianity for a long time. This book presents an awesome intellignet argument for Christianity. Thank you Ravi Zacharias!

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Jesus Among Other Gods (Participant's Guide), by Ravi Zacharias PDF
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