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The Frank Gambale Technique, Bk 1: The Essential Soloing Theory Course for All Guitarists, Book & CD (Manhattan Music Publications), by Fr
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The essential soloing theory course for all guitarists from one of the most distinctive guitar players on the music scene today. The method is structured around six basic chordal types approached five ways. Book I covers the first four chordal types and includes a 60-minute recording.
- Sales Rank: #465817 in Books
- Brand: Manhattan Music
- Model: 00-MMBK0002CD
- Published on: 1993-12-01
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x 8.75" w x .25" l,
- Binding: Paperback
- 88 pages
- ISBN13: 9780769248059
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Most helpful customer reviews
11 of 11 people found the following review helpful.
A million ideas to improve your soloing
By campbellstuff
This is an excellent book for anyone who is serious about learning to play guitar. Although, I bought this book for $40 not $100+ as listed here. Gambale breaks everything down into chord types. Minor 7, major 7, unaltered dominant 7, altered dominant 7, minor 7 (b5), diminished. He attacks each chord type with several soloing approaches. He lists and gives examples of appropriate modes, arpeggios, pentatonics that can be used over that specific chord type. For example. When discussing a minor 7 chord he says there are two ways to look at it. You can look at it as a II chord or a VI chord. Say you are playing a dmin7. Dmin 7 is the II of C and the VI of F. So in this case you can use D Dorian or Aeolian. He also says that if you treat Dmin7 as the second of C you can use. Dmin, Emin, Amin blues/pentatonic scales over the Dmin7. Since the minor chords are II, III, and VI in any major scale. You can also approach soloing using arpeggios from cmaj over the Dmin and you can play these in fourths to get a more interesting sound, rather than just running up or down arpeggios. He has gone through all of that by page 8 and there is about 80 pages in the book. So basically, there is a huge wealth of knowlege in this book and it is an excellent way for a guitarist to get away from moving to the trusty pentatonic scales as soon as its time to solo. This book also comes with a Cd containing samples of each excercise as well as a couple short songs that Gambale has put together. Im not a big fan of the effects he uses while playing the excercises, but it doesn't really take anything away from the learning experience. If you can get a chance to get a hold of this book you should give it a chance, but know that it will take some serious time and experimentation to make these theoretical ideas come out of your guitar as music. They cant really be charging $107 for this, can they? Keep your eyes open and you should be able to find this book for around $40.
5 of 6 people found the following review helpful.
An Exposition of Improvisational Elements - Book I & II
By Al
Both Frank Gambale Technique Book I & II are essentially studies of five different improvisational approaches to tackle a particular chord type, namely: scale, pentatonics, arpeggios, triads, intervals. As such, Frank presents a wide range of harmonic possibilities on improvisation, based upon which the intelligent student can construct meaningful solos when these music elements are internalized.
Note that in those two books there is a large amount of materials to digest, however a solid understanding of these materials is fundamental to jazz improvisation. The aspiring guitarist is urged to seek ways, from other sources, to build lines once these improvisational elements are digested. Recommended for a core course of improvisation.
5 of 6 people found the following review helpful.
This book is golden
By Douglas J. Cameron
The earlier reviewer pretty much covers what the material is about, I just want to add that its just a power packed book. Its not about riffs or scales or modes - its about entire frameworks you can use for improvisation. The material is dense, it is NOT for beginners, but if you know a little about guitar and theory, this thing is incredibly valuable.
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