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Constructive anatomy, by George Bridgman
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Constructive anatomy. 228 Pages.
- Sales Rank: #1791703 in eBooks
- Published on: 2015-12-11
- Released on: 2015-12-11
- Format: Kindle eBook
From the Back Cover
"Excellent. The most valuable, detailed anatomical studies (which are also beautifully drawn) of all parts of the figure."—American Artist
"The best book on artist's anatomy available anywhere."—Art Students League News
Countless artists and students since the 1920s have used this and other books by George B. Bridgman (for nearly 50 years a teacher at the Art Students League in New York) for a solid foundation and understanding of human anatomy. They have found, and continue to find, that his unique way of discovering the vitalizing forces in the human form and realizing them in drawing carries the student pleasantly over one of art's most severe hurdles. Bridgman's superb anatomical sketches, of which there are nearly 500 in the book, also bring clearly to fruition his lucid theories of how to draw the human body in its structure and its complex movements.
Constructive Anatomy, an anatomical reference guide for the working artist, sculptor, and student, graphically shows important parts of the human body, both in motion and in repose—hand, wrist, thumb, fingers, forearm, arm, armpit, shoulder, neck, head, eye, nose, ear, mouth, chin, trunk (front, side, and back), pelvis, hip, thigh, leg, knee, ankle, foot, and toes. Drawings of bone and muscle structure of the working of the joints and the interrelation of the various parts of the body are mainly concerned with movement of all sorts—movements that are described in detail as well as illustrated. The bending, twisting,and turning, creasing and interlocking of the various parts of the body are represented in drawing as the wedging of masses in specific ways that are clearly defined by Mr. Bridgman.
Every artist will save tedious hours of research with this simple but effective approach, and will be delighted with its directness and fervor.
About the Author
Canadian artist George Brandt Bridgman (1865-1943) studied at the École des Beaux Arts in Paris and taught at New York City's Art Students League. Generations of students have learned the principles of anatomy and figure drawing from his books, which rank among Dover's most popular art instruction texts.
Most helpful customer reviews
46 of 46 people found the following review helpful.
Still the best anatomy book around
By T. Austin
I have nearly ten anatomy books and this is the one I grab for most when I need to solve an anatomy problem while drawing or sketching.
For the most part, Bridgman first simplifies complex anatomy problems into simple structures before exploring the muscle patterns into more complex detail. This allows the artist to see the particular anatomy problem as a proportional mass rather than a complex network of muscle fibers. For me, this makes the human anatomy much more accessible.
For instance, he will take the torso and break it down into simple objects like cubes, triangles, and planes, illustrate them in their proper proportions, and then move forward into to more precise detail.
I find this book not just educational but as a great reference as well.
34 of 34 people found the following review helpful.
One of my Top 3 Bridgman books- great in drawing from memory...
By "extreme_dig_cm"
Mainly for intermediate-level artists- it's actually *GREAT* for enthusiastic beginners. It has a little bit of *everything* depicting anatomy construction from memory. It's also great for general improvement; a few tips & tricks- an *excellent* reference for all working artists.
This is the book that really turned me on to the genius that is Bridgman. At first glance it may not be immediately impressive, but flip to page 167 for a quick look at his cubed-construction of the head. It's Bridgman's brief but effective treatment of cube-construction in this book that really, really impresses me. Many books *mention* cube-construction for heads; many books show a brief picture or two. But not many show it with the precision & detail that Bridgman conveys in just a few short pages. It deals with figure construction mainly in its parts- for full-figure movement, check out Bridgman's Complete Guide, or his less overwhelming Bridgman's Life Drawing. Constructive Anatomy begins with hands, which in my opinion is the weakest part of the book. (Bridgman's 100 Hands is much, much better.) Arms are next and they're easily among Bridgman's best, although not all the drawings are crystal clear. Many of the BEST drawings in Bridgman's Complete Guide are taken from this book, and his depiction of arms here is definitely among them. The shoulder & neck briefly follow, and are above average in their depiction. Then it's time for that excellent section: the cubed-construction of the head. It's only a FEW pages- I don't want to oversell it. But in my opinion at least, it's worth the price of the book. Individual features follow: eyes, nose, ears and mouth are simply & accurately treated. This is a more *in-depth* book than Heads, Features and Faces- which is mainly a simple introduction to the basics. Maybe the BEST section in Constructive Anatomy involves the Torso. He describes more in a few pages than most books ever do- and with a precision & beauty that few seem to match. The pelvis, legs, knees, feet & toes finish this truly excellent work. If anyone's overwhelmed by Bridgman's Complete Guide, Constructive Anatomy is a simple & effective choice to make- Highly Recommended!
In short- Along with Book of a Hundred Hands and Bridgman's Complete Guide, Constructive Anatomy is currently in my Top 3 by Bridgman.
22 of 22 people found the following review helpful.
Superb content, great price...
By A Customer
One of the few books that I constantly refer to in figure drawing. Although the content was written way back in 1920, the concepts are still as valid then, as now.
The simple pencilled illustrations provide easy guidelines as to where one muscle stops and another begins. This enables one to draw a muscly figure with a few lines and shapes to show bulk and depth, especially with comic book illustration.
Finally, the price is perhaps as great a drawing factor as the content. Some comic book artists swear by Geoge Bridgman's books. You might also want to try some publications by Jack Hamm.
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